ludwig mies van der rohe: Pierre Bonnard

This is the first of a four-part post on the French artist Pierre Bonnard (1867 – 1947). Over the next week I will feature Bonnard’s paintings, lithographs, and lesser known commercial art.
Bonnard was born in 1867 in Fontenay-aux-Roses, France. He began studying law in Paris in 1887. In the same year he also attended the Académie Julian, and in 1888 entered the Ecole des Beaux-Arts, where he met Ker-Xavier Roussel and Edouard Vuillard, who became his lifelong friends. Bonnard gave up law to become an artist, and, after brief military service, he joined the group of young painters called the Nabis (the prophets) in 1889, which was organized by Paul Sérusier and included Maurice Denis, Paul Ranson, Roussel, Vuillard, and others. The Nabis, influenced by Paul Gauguin and Japanese prints, experimented with arbitrary colour, expressive line, a wide range of mediums, and flat, patterned surfaces.
In 1890 Bonnard shared a studio with Vuillard and Denis, and he began to make colour lithographs. In the following year, 1891, he met Henri de Toulouse-Lautrec, and had his first show at the Salon des Indépendants and in the Nabis’s earliest exhibitions at Le Barc de Boutteville. He exhibited with the Nabis until they disbanded in 1900. Bonnard worked in a variety of mediums – he frequently made posters and illustrations for La Revue blanche, and in 1895 he designed a stained-glass window for Louis Comfort Tiffany. His first solo show, at the Galerie Durand-Ruel in 1896, included paintings, posters, and lithographs. In 1897 Ambroise Vollard published the first of many albums of Bonnard’s lithographs and illustrated books.
In 1903 Bonnard participated in the first Salon d’Automne and in the Vienna Secession, and from 1906 he was represented by Galerie Bernheim-Jeune, Paris. He travelled abroad extensively and worked at various locations in Normandy, the Seine valley, and the south of France (he bought a villa in Le Cannet near Cannes in 1925), as well as in Paris. The Art Institute of Chicago mounted a major exhibition of the work of Bonnard and Vuillard in 1933, and the Museum of Modern Art, New York, organized Bonnard retrospectives in 1946 and 1964. Bonnard died on January 23, 1947, in Le Cannet, France.